Monique Roelofs is Professor of Philosophy at the University of Amsterdam, where she holds the Chair of Philosophy of Art and Culture. She has published widely on the relation between aesthetics and politics, with a focus on the dynamics of race, gender, nation, coloniality, and the global. She is the author of Arts of Address: Being Alive to Language and The World (Columbia UP, 2020) and The Cultural Promise of the Aesthetic (2014). Roelofs is currently completing a monograph titled Strange Tastes: Aesthetic Sensibility and the Public in Latin American and Latinx Feminisms (under contract with Duke UP) and a second book-length investigation on the aesthetics of address. She recently coedited the collection Black Art and Aesthetics: Relationalities, Interiorities, Reckonings (Bloomsbury, 2024).

Her work stretches across the areas of feminist and critical race theory, decolonial thought, and critical and political theory, and takes an interest in the intersection of continental and analytical traditions. At the forefront of her research are conceptual structures in aesthetics and critical cultural theory that undergird aesthetic life, such as questions of publicness, identity, normativity and value, critical reading, and the imaginative, ever-evolving relations between art and its audiences. She addresses these themes in engagement with the complexities of aesthetic experience as they take shape in our day-to-day encounters within and beyond the world of art.

Besides having taught for over fifteen years at Hampshire College in Amherst, Massachusetts, as well as at Duquesne University and the University of Maryland, she has held fellowships and visiting appointments in The Pembroke Center for Teaching and Women at Brown University and the Political Science Department at Amherst College. Roelofs was a Trustee of the American Society for Aesthetics from 2019-22. She currently serves as a delegate member of the Executive Committee of the International Association for Aesthetics (2023-25). At the University of Amsterdam, she codirects the ASCA Film and Philosophy seminar and heads the Critical Cultural Theory program group.

Publications

Books

Arts of Address: Being Alive to Language and The World (New York: Columbia University Press, 2020)

The Cultural Promise of the Aesthetic (New York: Bloomsbury, 2014; paperback 2015)

             A promessa cultural do estético, with a foreword by Denise Ferreira da Silva (Relicário & PUC-Rio, 2023)

Edited volumes

Black Art and Aesthetics: Relationalities, Interiorities, Reckonings, coedited with Michael Kelly. Bloomsbury, 2024.

Aesthetics and Race: New Philosophical Perspectives, special volume 2 (2009) of Contemporary Aesthetics. Eleven essays, edited and with an introduction.

Selected essays

“Public Things, Public Squares: Aesthetic Democracy in Diamela Eltit’s E. Luminata.” Parallax 30.1 (2024), 62–81

M. Roelofs and N.S. Holland, “The Role of the Aesthetic in Decolonial Critique: Claudia Llosa’s The Milk of Sorrow/La teta asustada.”). Latin American and Latinx Visual Culture. Feb 2025. In press.

“Identity, Art, and the Aesthetic Effusiveness of Racialized Possibility” / “Identität, Kunst, und der ästetische Überschuss der Möglichkeiten von Race.” In Public Art: Das Recht auf Erinnerung und die Realität der Städte / The Right to Remember and the Reality of Cities (Bilingual), ed.  Jörg Heiser, Andreas Wissen, and Planungs- und Baureferat Nürnberg (Berlin: Distanz Verlag, 2024), 210–250.

“Indigeneity at the Limits of Transculturation: Decolonial Aesthetics in Claudia Llosa’s The Milk of Sorrow.” philoSOPHIA: A Journal of transContinental Feminism 14 (2024): 1–30. With Norman S. Holland.

“Preface: Blackness, Whiteness, and Curatorial Care.” With Michael Kelly. Black Art and Aesthetics: Relationalities, Interiorities, Reckonings. London and New York: Bloomsbury, 2024, xv-xxi.

“Introduction: Revalorizing Black Aesthetics.” With Michael Kelly. Black Art and Aesthetics: Relationalities, Interiorities, Reckonings. London and New York: Bloomsbury, 2024, 1-30.

"Kara Walker: A Black Hole is Everything a Star Longs to Be.” The British Journal of Aesthetics 63, no. 2 (2023): 269-203. Doi: 10.1093/aesthj/ayac065.

“Identity, Art, and the Aesthetic Effusiveness of Racialized Possibility,” in Public Art: The Right to Remember and the Reality of Cities, ed. Gürsoy Doğtaş and Jörg Heiser (Berlin: Distanz Verlag, 2024). Forthcoming.

“Decoloniality, Identity, and Aesthetic Publicity.” Contemporary Aesthetics, Special Volume 10 (2022), Twenty Years of Contemporary Aesthetics.

“Here and There: The Pillars and Sounds of Carpentier’s Havana,” Palgrave Encyclopedia of Urban Literary Studies, ed. Jeremy Tambling (New York: Palgrave Macmillan, 2022). With Norman S. Holland.

“Address and the Politics of Aesthetics,” Routledge Encyclopedia of Philosophy (New York: Routledge, 2021). DOI 10.4324/9780415249126-M069-1

“Philosophy and the Politics of Beauty,” in The Routledge Handbook of Beauty Politics, ed. Maxine B. Craig (New York: Routledge, 2021), 37-48.

“Playing with the Rules of the Game: Imagination, Normativity, and Address in Aesthetics,” in Art, Representation, and Make-Believe: Essays on the Philosophy of Kendall L. Walton, ed. Sonia Sedivy (New York: Routledge, 2021), 302-23.

“Selling Literature / Selling the Race: Diamela Eltit’s Decolonial Feminist Critique of the Neoliberal Marketplace,” Journal of Aesthetics and Art Criticism 77, no. 4 (2019): 461-73.

"A New Aesthetics of Conviviality." Flash Art 327, “Reclaiming and Celebrating Minorities,” Sept-Oct. 2019: 28-35. Online version: https://flash---art.com/article/a-new-aesthetics-of-conviviality/

"Estética, endereçamento e ‘sutilezas’ raciais" (Aesthetics, Address, and Racial “Subtleties”). In Estética em preto e branco (Aesthetics in Black and White), ed. Carla Milani Damião and Fábio Ferreira de Almeida (Goiânia, Goiás, Brazil: Edições Ricochete&CEGRAF/UFG, 2018), 8-34.

“Race-ing Aesthetic Theory.” The Routledge Companion to the Philosophy of Race, ed. Paul C. Taylor, Linda Martín Alcoff, and Luvell Anderson (New York: Routledge, 2018), 365-79.

"Colheres, portas, ruas e pessoas como remetentes e destinatários. Estética e seus diversos locais denormatividade" (Spoons, Doors, Streets, and People as Addressors and Addressees: Aesthetics and Its Many Sites of Normativity). Rapsódia: Almanaque de filosofia e arte 11 (2017): 44-77.

“Identity and Its Public Platforms: A String of Promises Entwined with Threats” / “Identität und ihre öffentlichen Plattformen: Versprechen und Drohungen.” Texte zur Kunst 27, no. 107, “Identity Politics Now/Identitätspolitik Heute.” In English and German (Sept. 2017): 68-85.

Review essay of Paul C. Taylor’s Black is Beautiful: A Philosophy of Black Aesthetics (Wiley, 2016). Journal of Aesthetics and Art Criticism, 73, no. 3 (2017): 299-302. 10.1111/jaac12373.

"Between Justice and Cruelty: The Ambivalence of the Aesthetic." Aesthetic Turns 2.2, ed. Roger Rothman, Modernism/modernity, M/m Print Plus platform (June 2017) https://modernismmodernity.org/forums/posts/between-justice-and-cruelty

“Navigating Frames of Address: María Lugones on Language, Bodies, Things, and Places.” Hypatia: A Journal of Feminist Philosophy 31.2 (2016): 370-87. Cluster on Latina Feminist Philosophy. DOI 10.1111/hypa.12233

"The Aesthetic and Its Resonances: A Reply to Kathleen M. Higgins, Carolyn Korsmeyer, and Mariana Ortega." In Symposium on The Cultural Promise of the Aesthetic by Monique Roelofs. Contemporary Aesthetics 14 (2016). contempaesthetics.org.

“Kantian Mouthliness: Enlightenment, Address, Aesthetics.” differences: A Journal of Feminist Cultural Studies 26.2 (2015): 29-60. DOI 10.1215/10407391-3145949

“Anachronism and Baroque Abandon: Carpentier’s, Cortázar’s, and Botero’s Decolonial Columns.” (First author; with Norman Holland). Confluencia: Revista Hispánica de Cultura y Literatura 30, no. 3 (2015): 149-66.

“Anti-Aesthetic.” Encyclopedia of Aesthetics, 2nd edition, ed. Michael Kelly (Oxford University Press, 2014).

“Cruising through Race.” Race, Philosophy, and Film, ed. Mary K. Bloodsworth-Lugo and Dan Flory (New York: Routledge, 2013), 84-100.  

“Taste, Distaste, and Food.” Encyclopedia of Food and Agricultural Ethics, ed. Paul B. Thompson and David M. Kaplan (Dordrecht: Springer, 2014), 1719-27. (Online version, 2013). DOI 10.1007/978-94-007-6167-4

“Beauty’s Relational Labor.” Beauty Unlimited, ed. Peg Zeglin Brand (Bloomington: Indiana University Press, 2012), 72-95.

“Racialization as an Aesthetic Production: What Does the Aesthetic Do for Whiteness and Blackness and ViceVersa?” Reprinted in The Philosophy of Race, ed. Paul Taylor, Vol. 3. Race-ing Beauty, Goodness, and Right (New York: Routledge, 2012), 291-327

Review essay of Gail Day’s Dialectical Passions: Negation in Postwar Art Theory (Columbia UP, 2011). Notre Dame Philosophical Reviews. June 2011.

“Theorizing the Aesthetic Homeland: Racialized Aesthetic Nationalism in Daily Life and the Art World.” Constructing the Nation: A Race and Nationalism Reader, ed. Mariana Ortega and Linda Martín Alcoff (Albany: SUNY Press, 2009), 201-30.

Introduction to Aesthetics and Race: New Philosophical Perspectives, Special Volume 2 (2009) of Contemporary Aesthetics, ed. Monique Roelofs. contempaesthetics.org.

"Sensation as Civilization: Reading/Riding the Taxicab." Aesthetics and Race: New Philosophical Perspectives, Special Volume 2 (2009) of Contemporary Aesthetics, ed. Monique Roelofs. contempaesthetics.org.

“Race and Aesthetics.” Blackwell Companion to Aesthetics, 2nd edition, ed. Stephen Davies, Kathleen Higgins, Robert Hopkins, and Robert Stecker (Malden, MA and Oxford: Blackwell, 2009), 489-92.

Review essay of Alexander Nehamas’s Only a Promise of Happiness: The Place of Beauty in a World of Art (Princeton University Press, 2007). Journal of Aesthetics and Art Criticism 66, no. 4 (Fall 2008): 399-401. 

"The Veiled Presence of Race in the Philosophy of Art: Reclaiming Race for Aesthetics." APA Newsletter on Philosophy and the Black Experience 6, no. 1 (Fall 2006): 1-5. apaonline.org. (A slightly modified and more fully documented version of “Culture, Capital, History, but not Race?”).

"Culture, Capital, History, but not Race?" Voices of the Profession column. Newsletter of the American Society for Aesthetics 26, no. 2 (Summer 2006): 1-4. Also at aesthetics-online.org.

“Racialization as an Aesthetic Production: What Does the Aesthetic Do for Whiteness and Blackness and Vice Versa?” White on White/Black on Black, ed. George Yancy (Lanham: Rowman and Littlefield, 2005), 83-124.

“A Pearl’s Perils and Pleasures: The Detail at the Foundation of Taste.” The Lure of the Detail: Critical Reading Today. Special Issue of differences: A Journal of Feminist Cultural Studies 14, no. 3 (2003): 57-88.                 

“Aesthetification as a Feminist Strategy: On Art’s Relational Politics.” Art and Essence, ed. Stephen Davies and Ananta Ch. Sukla (Westport: Praeger, 2003), 193-212.

“Relationality without Relationships: Kitsch, Idolatry, and other Paradoxes in Aesthetics and Religion.” Religion “nach der Religionskritik” (Religion “After the Critique of Religion”). Wiener Reihe: Themen der Philosophy, Band 12, ed. Ludwig Nagl (Vienna and Berlin: R. Oldenbourg Verlag and Akademie Verlag, 2003), 263-73.

“A Hypothesis about Seeing-in.” Richard Wollheim on the Art of Painting: Art as Representation and Expression, ed. Rob van Gerwen (Cambridge: Cambridge University Press, 2001), 59-74.