Recurrent seminars in the ASCA program are the ASCA Theory Seminar, the ASCA Cities Seminar, and other seminars.
Organized by Esther Peeren and Jaap Kooijman. Coordinated by Eloe Kingma, email@example.com | Participants of the Theory Seminar will become acquainted with current practices in cultural analysis and learn how to integrate them in their own work.
In the 2020-21 ASCA Cities seminar, we will consider recent developments in urban life in the wake of the ongoing global pandemic. In taking up this theme, we are particularly interested in examining the intersections between digital technologies and contemporary urban environments, from the vantage point of creative, cultural, aesthetic and political practices.
A series of online-events organized by Daniel Loick
This year, the ASCA Political Ecologies Seminar consists of a curriculum and speaker series on “The Ecology of Forms.” Through reading groups, masterclasses, and public lectures from international scholars and artists engaged in the creative and theoretical study of ecological relation and crisis, this year’s seminar will move through distinct but overlapping forms that focalize contestation and collectivity across a multitude of vectors: economic, legal, environmental, architectural, infrastructural, cultural, and so on.
The Artistic Research Research Group focuses on Artistic Research as a new approach to tackling research questions and it aims at promoting the exchange of ideas between artists and scholars from a wide range of fields and disciplines.
Organized by the research group ‘Moving Images’, which brings together scholars and professionals concerned with the preservation, curation and exhibition of moving images. Coordinators: Floris Paalman and Giovanni Fossati. Contact: Floris Paalman. | Participants share the common goal of bridging theory and practice: research concerns concrete cultural and economic praxes, but is also geared towards informing those, both through scholarly insights and tools developed as part of public-private partnerships.
What do we need to still argue for a normative concept of culture or good life? How is it reconcilable with the liberal-democratic and “postmodern” pluralism of ways of living and thinking? How does critique work at all under conditions where there are no transcendent criteria any more? What is the distinct value of certain forms of art for philosophy and society? Can we learn something from certain cultural phenomena – be it from distinct art, pop-art or everyday life - about our epoch? And, finally, what is the specific value of the Humanities for societal self-reflection?
Music and Culture Seminar organized by Barbara Titus | Keywords: aurality, sound studies, epistemic privilege, musicking, postcolonial studies | Programme: t.b.a. | The seminar intends to raise questions about technologies of transmission, dissemination and inscription of knowledge (sounds, imagery, speech, writing, performance, etc.) and the material on which they inscribe: memories, (human) bodies, paper, hard drives, or songs.